Cross-readings along the axes of BECAUSE:
--- BECAUSE us girls crave records and books and fanzines that speak to US that WE feel included in and can understand in our own ways.
BECAUSE we wanna make it easier for girls to see/hear each other's work so that we can share strategies and criticize-applaud each other.
BECAUSE we must take over the means of production in order to create our own moanings.
BECAUSE viewing our work as being connected to our girlfriends-politics-real lives is essential if we are gonna figure out how we are doing impacts, reflects, perpetuates, or DISRUPTS the status quo.
BECAUSE we recognize fantasies of Instant Macho Gun Revolution as impractical lies meant to keep us simply dreaming instead of becoming our dreams AND THUS seek to create revolution in our own lives every single day by envisioning and creating alternatives to the bullshit christian capitalist way of doing things.
BECAUSE we want and need to encourage and be encouraged in the face of all our own insecurities, in the face of beergutboyrock that tells us we can't play our instruments, in the face of "authorities" who say our bands/zines/etc are the worst in the US and BECAUSE we don't wanna assimilate to someone else's (boy) standards of what is or isn't.
BECAUSE we are unwilling to falter under claims that we are reactionary "reverse sexists" AND NOT THE TRUEPUNKROCKSOULCRUSADERS THAT WE KNOW we really are.
BECAUSE we know that life is much more than physical survival and are patently aware that the punk rock "you can do anything" idea is crucial to the coming angry grrrl rock revolution which seeks to save the psychic and cultural lives of girls and women everywhere, according to their own terms, not ours.
BECAUSE we are interested in creating non-heirarchical ways of being AND making music, friends, and scenes based on communication + understanding, instead of competition + good/bad categorizations.
BECAUSE doing/reading/seeing/hearing cool things that validate and challenge us can help us gain the strength and sense of community that we need in order to figure out how bullshit like racism, able-bodieism, ageism, speciesism, classism, thinism, sexism, anti-semitism and heterosexism figures in our own lives.
BECAUSE we see fostering and supporting girl scenes and girl artists of all kinds as integral to this process.
BECAUSE we hate capitalism in all its forms and see our main goal as sharing information and staying alive, instead of making profits of being cool according to traditional standards.
BECAUSE we are angry at a society that tells us Girl = Dumb, Girl = Bad, Girl = Weak.
BECAUSE we are unwilling to let our real and valid anger be diffused and/or turned against us via the internalization of sexism as witnessed in girl/girl jealousism and self defeating girltype behaviors.
BECAUSE I believe with my wholeheartmindbody that girls constitute a revolutionary soul force that can, and will change the world for real.
TO HAVE A WAGE MEANS TO BE PART OF A SOCIAL CONTRACT, AND THERE IS NO DOUBT CONCERNING ITS MEANING: YOU WORK, NOT BECAUSE YOU LIKE IT, OR BECAUSE IT COMES NATURALLY TO YOU, BUT BECAUSE IT IS THE ONLY CONDITION UNDER WHICH YOU ARE ALLOWED TO LIVE.
WAGES FOR FACEBOOK, THEN, IS A REVOLUTIONARY DEMAND NOT BECAUSE BY ITSELF IT DESTROYS CAPITAL, BUT BECAUSE IT ATTACKS CAPITAL AND FORCES IT TO RESTRUCTURE SOCIAL RELATIONS IN TERMS MORE FAVORABLE TO US AND CONSEQUENTLY MORE FAVORABLE TO WORKING CLASS SOLIDARITY.
TO SAY THAT WE WANT MONEY FOR FACEBOOK IS THE FIRST STEP TOWARDS REFUSING TO DO IT, BECAUSE THE DEMAND FOR A WAGE MAKES OUR WORK VISIBLE, WHICH IS THE MOST INDISPENSABLE CONDITION TO BEGIN TO STRUGGLE AGAINST IT.
AND FROM THE VIEWPOINT OF WORK WE CAN ASK NOT ONE WAGE BUT MANY WAGES, BECAUSE WE HAVE BEEN FORCED INTO MANY JOBS AT ONCE—WE ALSO WORK FOR GOOGLE, TWITTER, MICROSOFT, YOUTUBE AND COUNTLESS OTHERS.
WAGES FOR FACEBOOK IS ONLY THE BEGINNING, BUT ITS MESSAGE IS CLEAR: FROM NOW ON THEY HAVE TO PAY US BECAUSE AS USERS WE DO NOT GUARANTEE ANYTHING ANY LONGER.
*Avoids efficiency, ease-of-use and reliability because they can be traps.
*Takes control because she wants networks to be mutable and read-write accessible.
Because of nodocentrism we tend to see only the nodes in a network, but the space between nodes is not empty, it is inhabited by multitudes of paranodes that simply do not conform to the organising logic of the network, and cannot be seen through the algorithms of the network.
The paranodal is an atopia, because it constitutes a difference that is everywhere.
Every superman, every hero, no matter how epic, how much of a genius, or how powerful, is the prodigious expression of a race and an epoch only because he is composed at once of feminine and masculine elements, of femininity and masculinity: that is, a complete being.
Those periods that had only wars, with few representative heroes because the epic breath flattened them out, were exclusively virile periods; those that denied the heroic instinct and, turning toward the past, annihilated themselves in dreams of peace, were periods in which femininity was dominant.
Because she is totally lacking in measure, she is bound to become too wise, too pacifist, too good during a sleepy period of humanity.
In fact, if she doesn’t know how to discern genius because she relies on passing renown, she has always known how to rewarm the strongest, the victor, the one triumphant by his muscles and his courage.
Let woman find once more her cruelty and her violence that make her attack the vanquished because they are vanquished, to the point of mutilating them.
In my Poems of Pride and in Thirst and Mirages, I have renounced Sentimentalism as a weakness to be scorned because it knots up the strength and makes it static.
Lust is a strength, because it destroys the weak, excites the strong to exert their energies, thus to renew themselves.
This is because glitch art exists within different systems; for instance the system of production and the system of reception.
Moreover, some of the techniques I (and others) used became easily reproducible for other people, either because I explained my working process, or sometimes because of the development of a software or plugin that automatically simulated or recreated a glitching method (that then became something close to an ‘effect’).
Unfortunately, these kinds of terms are misleading because in glitch art ‘post’ actually often means a reaction to a primer form.
He is trapped in a twilight zone halfway between humans and apes, and is far worse off than the apes because, unlike the apes, he is capable of a large array of negative feelings--hate, jealousy, contempt, disgust, guilt, shame, doubt--and moreover he is *aware* or what he is or isn't.
The male, because of his obsession to compensate for not being female combined with his inability to relate and to feel compassion, has made of the world a shitpile.
In the name of sharing and co-operation, he forms the commune or tribe, which, for all its togetherness and partly because of it (the commune, being an extended family, is an extended violation of the females' rights, privacy and sanity) is no more a community than normal "society".
Men cannot co-operate to achieve a common end, because each man's end is all the pussy for himself.
He's never satisfied, because he's not capable of being satisfied.
We know that "Great Art" is great because male authorities have told us so, and we can't claim otherwise, as only those with exquisite sensitivities far superior to ours can perceive and appreciate the greatness, the proof of their superior sensitivity being that they appreciate the slop that they appreciate.
Lacking faith in their ability to change anything, resigned to the status quo, they have to see beauty in turds because, so far as they can see, turds are all they'll ever have.
Much biological and psychological data is suppressed, because it is proof of the male's gross inferiority to the female.
Also, the problem of mental illness will never be solved while the male maintains control, because first, men have a vested interest in it--only females who have very few of their marbles will allow males the slightest bit of control over anything, and second, the male cannot admit to the role that fatherhood plays in causing mental illness.
This, however, will not occur within the male establishment, because: 1.
As for the issue of whether or not to continue to reproduce males, it doesn't follow that because the male, like disease, has always existed among us that he should continue to exist.
Xenofeminist manifesto [EN] (2015)
But this is precisely why feminism must be a rationalism -- because of this miserable imbalance, and not despite it.
Xenofeminist manifesto [EN] (2015)
Ultimately, every emancipatory abolitionism must incline towards the horizon of class abolitionism, since it is in capitalism where we encounter oppression in its transparent, denaturalized form: you're not exploited or oppressed because you are a wage labourer or poor; you are a labourer or poor because you are exploited.
Manifesto for the Gynecene [EN] (2015)
You will come around when you have to, because you need us more than we need you.
Glitch Feminism Manifesto [EN] (2012)
Ultimately, we will polish things off, just as we see fit, and to put a bow on the end goal of jouissance—ribboned and righted, and, because we want it, we will seize our release.
Irony is about contradictions that do not resolve into larger wholes, even dialectically, about the tension of holding incompatible things together because both or all are necessary and true.
Our best machines are made of sunshine; they are all light and clean because they are nothing but signals, electromagnetic waves, a section of a spectrum, and these machines are eminently portable, mobile -- a matter of immense human pain in Detroit and Singapore.
The political struggle is to see from both perspectives at once because each reveals both dominations and possibilities unimaginable from the other vantage point.
Women are excluded generally from benefiting from the increased high-tech commodification of food and energy crops, their days are made more arduous because their responsibilides to provide food do not diminish, and their reproductive situations are made more complex.
Sister Outsider hints at the possibility of world survival not because of her innocence, but because of her ability to live on the boundaries, to write without the founding myth of original wholeness, with its inescapable apocalypse of final return to a deathly oneness that Man has imagined to be the innocent and all-powerful Mother, freed at the End from another spiral of appropriation by her son.
Because it is particularly rich in boundary transgressions, Vonda McIn-tyre's Superluminal can close this truncated catalogue of promising and dangerous monsters who help redefine the pleasures and politics of embodiment and feminist writing.
Also specific to RIOT GRRRL MANIFESTO [EN] (1989):
BECAUSE girls girl Girl AND unwilling bullshit lives we doing angry scenes wanna cool instead us own figure sexism rock standards WE our face according tells US TRUEPUNKROCKSOULCRUSADERS RIOT ageism soul grrrl gonna profits heirarchical Weak wholeheartmindbody impacts Macho criticize internalization girltype gain falter fanzines staying figures meant alternatives