Cross-readings along the axes of She:
*Radically questions the conditions for serving and service; experiments with changing client – server relations where she can.
*Is autonomous in the sense that she tries to decide for her own dependencies.
*Takes control because she wants networks to be mutable and read-write accessible.
*Tries hard not to apologise when she is sometimes not available.
Every woman ought to possess not only feminine virtues but virile ones, without which she is just a female.
Because she is totally lacking in measure, she is bound to become too wise, too pacifist, too good during a sleepy period of humanity.
She is the individuality of the crowd: She parades the heroes, or if there are none, the imbeciles.
She ’s the most fruitful conquest of all, the most enthusiastic, who, in her turn, will increase our followers.
Anemic man, stingy with his own blood, asks only that she be a nurse.
She has let herself be tamed.
But shout a new message at her, or some war cry, and then, joyously riding her instinct again, she will go in front of you toward unsuspected conquests.
When you have to use your weapons, she will polish them.
She will help you choose them.
In fact, if she doesn’t know how to discern genius because she relies on passing renown, she has always known how to rewarm the strongest, the victor, the one triumphant by his muscles and his courage.
She can’t be mistaken about this superiority imposing itself so brutally.
Stop preaching spiritual justice to her of the sort she has tried in vain.
LET’S CONCLUDE: Woman who retains man through her tears and her sentimentality is inferior to the prostitute who incites her man, through braggery, to retain his domination over the lower depths of the cities with his revolver at the ready: at least she cultivates an energy that could serve better causes.
Bitch Mutant Manifesto [EN] (1996)
She 's out of of control, kevin, She s the sociopathic emergent system.
All non-creative jobs (practically all jobs now being done) could have been automated long ago, and in a moneyless society everyone can have as much of the best of everything as she wants.
Mother loves her kids, although she sometimes gets angry, but anger blows over quickly and even while it exists, doesn't preclude love and basic acceptance.
Daddy's Girl, always tense and fearful, uncool, unanalytical, lacking objectivity, appraises Daddy, and thereafter, other men, against a background of fear ("respect") and is not only unable to see the empty shell behind the aloof facade, but accepts the male definition of himself as superior, as a female, and of herself, as inferior, as a male, which, thanks to Daddy, she really is.
It never becomes completely clear to the male that he is not part of his mother, that he is he and she is she
Desperately insecure, fearing his woman will leave him if she is exposed to other men or to anything remotely resembling life, the male seeks to isolate her from other men and from what little civilization there is, so he moves her out to the suburbs, a collection of self-absorbed couples and their kids.
The healthy, conceited female wants the company of equals whom she can respect and groove on; the male and the sick, insecure, unself-confident male female crave the company of worms.
This is not too difficult for her, as the tension and anxiety, the lack of cool, the insecurity and self-doubt, the unsureness of her own feelings and sensations that Daddy instilled in her make her perceptions superficial and render her unable to see that the male's babble is a babble; like the aesthete "appreciating" the blob that's labeled "Great Art", she believes she s grooving on what bores the shit out of her.
Not only does she permit his babble to dominate, she adapts her own "conversation" accordingly.
Trained from early childhood in niceness, politeness and "dignity", in pandering to the male need to disguise his animalism, she obligingly reduces her "conversation" to small talk, a bland insipid avoidance of any topic beyond the utterly trivial--or, if "educated", to "intellectual" discussion, that is, impersonal discoursing on irrelevant abstractions--the Gross National Product, the Common Market, the influence of Rimbaud on symbolist painting.
So adept is she at pandering that it eventually becomes second nature and she continues to pander to men even when in the company of other females only.
The female can easily--far more easily than she may think--condition away her sex drive, leaving her completely cool and cerebral and free to pursue truly worthy relationships and activities; but the male, who seems to dig women sexually and who seeks constantly to arouse them, stimulates the highly-sexed female to frenzies of lust, throwing her into a sex bag from which few women ever escape.
And the more mindless the woman, the more deeply embedded in the male "culture", in short, the nicer she is, the more sexual she is.
The female, whether she likes it or not, will eventually take complete charge, if for no other reason than that she will have to--the male, for practical purposes, won't exist.
Accelerating this trend is the fact that more and more males are acquiring enlightened self-interest; they're realizing more and more that the female interest is *their* interest, that they can live only through the female and that the more the female is encouraged to live, to fulfill herself, to be a female and not a male, the more nearly *he* lives; he's coming to see that it's easier and more satisfactory to live *through* her than to try to *become* her and usurp her qualities, claim them as his own, push the female down and claim she' s a male.
Gynepunk Manifesto [EN] (2014)
Through the rogations gives health and wellness to the community and has a deep knowledge of the Lawen, she makes their petitions against the Rewe.
Glitch Feminism Manifesto [EN] (2012)
A Contributing Editor for BOMB Magazine’s BOMBLOG, she has worked at and produced programs for The Bruce High Quality Foundation, Creative Time, the Brooklyn Museum, the Whitney, and the Met.
She notes that the definition of the group has been by conscious appropriation of negation.
Thus, she was at the bottom of a cascade of negative identities, left out of even the privileged oppressed authorial categories called 'women and blacks', who claimed to make the important revolutions.
But there was also no 'she' , no singularity, but a sea of differences among US women who have affirmed their historical identity as US women of colour.
She therefore develops a theory of consciousness that enforces what can count as 'women's' experience - anything that names sexual violation, indeed, sex itself as far as 'women' can be concerned.
However, a woman is not simply alienated from her product, but in a deep sense does not exist as a subject, or even potential subject, since she owes her existence as a woman to sexual appropriation.
But in solving the problem of the contradictions of any Western revolutionary subject for feminist purposes, she develops an even more authoritarian doctrine of experience.
Orca, a genetically altered diver, can speak with killer whales and survive deep ocean conditions, but she longs to explore space as a pilot, necessitating bionic implants jeopardizing her kinship with the divers and cetaceans.
Similar but not the same to She:She
Also specific to A Feminist Server Manifesto [EN] (2014):
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