Cross-readings along the axes of aesthetics:

Glitch Manifesto [EN] (2009)
Celebrate the critical trans-media aesthetics of glitch artifacts I use glitches to assess the inherent politics of any kind of medium by bringing it into a state of hypertrophy.
Glitch Manifesto [EN] (2009)
For them, terms like post-digital or post-media aesthetics frequently offer a solution.
Glitch Manifesto [EN] (2009)
Something I describe as critical trans-media aesthetics .
Glitch Manifesto [EN] (2009)
The role of glitch artifacts as critical trans-media aesthetics is twofold.
Glitch Manifesto [EN] (2009)
On the one hand, these aesthetics media show a medium in a critical state (a ruined, unwanted, not recognized, accidental and horrendous state).
Glitch Manifesto [EN] (2009)
These aesthetics transform the way the consumer perceives the normal (every accident transforms the normal) and describe the passing of a tipping point after which the medium (might) become something new.
Glitch Manifesto [EN] (2009)
On the other hand, these aesthetics critique the medium (genre, interface and expectations).
Glitch Manifesto [EN] (2009)
In the acousmatic videoscape, the critical trans-media aesthetics reflect on the perception of technology and its messages; they create an opportunity for self reflexivity, self critique and self expression.
The 3D Additivist Manifesto [EN] (2015)
An aesthetics of exaptation, 11 with the peculiar beauty to be found in reiteration; in making a mesh.
The 3D Additivist Manifesto [EN] (2015)
13 Benjamin Bratton, Some Trace Effects of the Post- Anthropocene: On Accelerationist Geopolitical Aesthetics.