Cross-readings along the axes of cannot:
Moreover, trying to imagine a future ecology for the whole planetary assemblage, not only a future for the human race, we support the idea that any desirable mode of existence connected/integrated into nature-culture or constituted of equally important organic and inorganic life-forms (including an animistic perspective) cannot be separated from the human subject’s struggle to overcome oppression based on gender, race and class within the species.
Insofar as we cannot speak of “man” – the human species – as a unity, we have to support these struggles as interconnected and fight them simultaneously, we need to imagine and constantly discuss the connections and similarities as well as the contradictions arising.
Whatever soft power, it cannot be backed by hard power as usual.
.” (Shulamith Firestone) Also, capitalism in itself cannot be extracted and separated from discussions around all conservative politics and conservative views, as we have understood that neoliberalism is not truly liberal but a rather paradoxical mix of advocacy for economic “freedom” and racist, sexist and conservative extrapolations of nuclear family/dynasty values.
A Feminist Server Manifesto [EN] (2014)
Because of nodocentrism we tend to see only the nodes in a network, but the space between nodes is not empty, it is inhabited by multitudes of paranodes that simply do not conform to the organising logic of the network, and cannot be seen through the algorithms of the network.
Reason, like information, wants to be free, and patriarchy cannot give it freedom.
These are Promethean responsibilities that cannot pass unaddressed.
0x0D What this shows is that the task of engineering platforms for social emancipation and organization cannot ignore the cultural and semiotic mutations these platforms afford.
0x11 Our lot is cast with technoscience, where nothing is so sacred that it cannot be reengineered and transformed so as to widen our aperture of freedom, extending to gender and the human.
There is nothing, we claim, that cannot be studied scientifically and manipulated technologically.
But this cannot stop at the garden gates.
The procedural essence of glitch art is opposed to conservation; the shocking experience, perception and understanding of what a glitch is at one point in time, cannot be preserved to a future time.
Therefore, the products of these new filters that come to existence after (or without) the momentum of a glitch cannot be excluded from the realm of glitch art.
They shroud its inner workings and the source of the output as a sublime black veil, while they confront me with a message that I cannot understand.
The Manifesto of Futurist Woman [EN] (1912)
… Enough of those women, the octopuses of the hearth, whose tentacles exhaust men’s blood and make children anemic, women in carnal love who wear out every desire so it cannot be renewed!
Glitch Feminism Manifesto [EN] (2012)
We want what we cannot have; whatever the material we are aiming to access, the glitch makes us wait and whimper for it.
The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust.
With the hard-won recognition of their social and historical constitution, gender, race, and class cannot provide the basis for belief in 'essential' unity.
This identity marks out a self-consciously constructed space that cannot affirm the capacity to act on the basis of natural identification, but only on the basis of conscious coalition, of affinity, of political kinship.
Or at least 'we' cannot claim innocence from practicing such dominations.
First, the objects on the right-hand side cannot be coded as 'natural', a realization that subverts naturalistic coding for the left-hand side as well.
We cannot go back ideologically or materially.
Cherrie Moraga (1983) in Loving in the War Years explores the themes of identity when one never possessed the original language, never told the original story, never resided in the harmony of legitimate heterosexuality in the garden of culture, and so cannot base identity on a myth or a fall from innocence and right to natural names, mother's or father's.
Men cannot co-operate to achieve a common end, because each man's end is all the pussy for himself.
The male cannot progress socially, but merely swings back and forth from isolation to gangbanging.
But the male "artist", being totally sexual, unable to relate to anything beyond his own physical sensations, having nothing to express beyond the insight that for the male life is meaningless and absurd, cannot be an artist.
Also, the problem of mental illness will never be solved while the male maintains control, because first, men have a vested interest in it--only females who have very few of their marbles will allow males the slightest bit of control over anything, and second, the male cannot admit to the role that fatherhood plays in causing mental illness.
Also specific to Manifesto for the Gynecene [EN] (2015):
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