Cross-readings along the axes of conversation:
*Prevention of Conversation: * Being completely self-centered and unable to relate to anything outside himself, the male's Conversation: , when not about himself, is an impersonal droning on, removed from anything of human value.
Male "intellectual conversation" is a strained, compulsive attempt to impress the female.
Not only does she permit his babble to dominate, she adapts her own "conversation" accordingly.
Trained from early childhood in niceness, politeness and "dignity", in pandering to the male need to disguise his animalism, she obligingly reduces her "conversation" to small talk, a bland insipid avoidance of any topic beyond the utterly trivial--or, if "educated", to "intellectual" discussion, that is, impersonal discoursing on irrelevant abstractions--the Gross National Product, the Common Market, the influence of Rimbaud on symbolist painting.
Apart from pandering, her "conversation" is further limited by her insecurity about expressing deviant, original opinions and the self-absorption based on insecurity and that prevents her "conversation" >from being charming.
Niceness, politeness, "dignity", insecurity and self-absorption are hardly conducive to intensity and wit, qualities a conversation must have to be worthy of the name.
Such conversation is hardly rampant, as only completely self-confident, arrogant, outgoing, proud, tough-minded females are capable of intense, bitchy, witty conversation
Love is not dependency or sex, but friendship, and, therefore, love can't exist between two males, between a male and a female or between two females, one or both of whom is a mindless, insecure, pandering male; like conversation, love can exist only between two secure, free-wheeling, independent, groovy female females, since friendship is based on respect, not contempt.
Having stripped the world of conversation, friendship and love, the male offers us these paltry substitutes: *"Great Art" and "Culture":* The male "artist" attempts to solve his dilemma of not being able to live, of not being female, by constructing a highly artificial world in which the male is heroized, that is, displays female traits, and the female is reduced to highly limited, insipid subordinate roles, that is, to being male.
Glitch Feminism Manifesto [EN] (2012)
When the computer freezes mid -conversation, when the video buffers and refuses to progress, these moments are a new mode of foreplay, something that needs to be acknowledged not as a fetish, but as a new possibly for foreplay within sexual routine.
Also specific to S.C.U.M manifesto [EN] (1967):
he SCUM male his men Daddy him females female women who her himself money the He they males society to themselves and their unable will being s passivity Men animalism only wants completely relate passive contempt Big Mama Art insecure would as few or conversation respect mindless kids slightest