Cross-readings along the axes of him:

S.C.U.M manifesto [EN] (1967)
To call a man an animal is to flatter him; he's a machine, a walking dildo.
S.C.U.M manifesto [EN] (1967)
Eaten up with guilt, shame, fears and insecurities and obtaining, if he's lucky, a barely perceptible physical feeling, the male is, nonetheless, obsessed with screwing; he'll swim a river of snot, wade nostril-deep through a mile of vomit, if he thinks there'll be a friendly pussy awaiting him.
S.C.U.M manifesto [EN] (1967)
Overwhelmed by a sense of animalism and deeply ashamed of it; wanting, not to express himself, but to hide from others his total physicality, total egocentricity, the hate and contempt he feels for other men, and to hide from himself the hate and contempt he suspects other men feel for him; having a crudely constructed nervous system that is easily upset by the least display of emotion or feeling, the male tries to enforce a "social" code that ensures a perfect blandness, unsullied by the slightest trace of feeling or upsetting opinion.
S.C.U.M manifesto [EN] (1967)
The company of the lowest female is preferable to his own or that of other men, who serve only to remind him of his repulsiveness.
S.C.U.M manifesto [EN] (1967)
Supply the non-relating male with the delusion of usefulness, and enable him to try to justify his existence by digging holes and filling them up.
S.C.U.M manifesto [EN] (1967)
It makes him feel motherly.
S.C.U.M manifesto [EN] (1967)
Incapable of enjoying the moment, the male needs something to look forward to, and money provides him with an eternal, never-ending goal: Just think what you could do with 80 trillion dollars--Invest it!
S.C.U.M manifesto [EN] (1967)
His daughter, in addition, he wants sexually--he gives her *hand* in marriage; the other part is for him.
S.C.U.M manifesto [EN] (1967)
It's not for the kids' sake, though, that the "experts" tell women that Mama should stay home and grovel in animalism, but for Daddy's; the tit's for Daddy to hang onto; the labor pains for Daddy to vicariously groove on (half dead, he needs awfully strong stimuli to make him respond).
S.C.U.M manifesto [EN] (1967)
The female's individuality, which he is acutely aware of, but which he doesn't comprehend and isn't capable of relating to or grasping emotionally, frightens and upsets him and fills him with envy.
S.C.U.M manifesto [EN] (1967)
Being empty, not being a complete, separate being, having no self to groove on and needing to be constantly in female company, he sees nothing at all wrong in intruding himself on any woman's thoughts, even a total stranger's, anywhere at any time, but rather feels indignant and insulted when put down for doing so, as well as confused--he can't, for the life of him, understand why anyone would prefer so much as one minute of solitude to the company of any creep around.
S.C.U.M manifesto [EN] (1967)
Desperately insecure, fearing his woman will leave him if she is exposed to other men or to anything remotely resembling life, the male seeks to isolate her from other men and from what little civilization there is, so he moves her out to the suburbs, a collection of self-absorbed couples and their kids.
S.C.U.M manifesto [EN] (1967)
Isolation enables him to try to maintain his pretense of being an individual by becoming a "rugged individualist", a loner, equating non-co-operation and solitariness with individuality.
S.C.U.M manifesto [EN] (1967)
So, like a scared rabbit, he scurries off, dragging Daddy's little asshole along with him to the wilderness, the suburbs, or, in the case of the "hippie"--he's way out, Man!
S.C.U.M manifesto [EN] (1967)
The "hippie", whose desire to be a "Man", a "rugged individualist", isn't quite as strong as the average man's, and who, in addition, is excited by the thought of having lots of women accessible to him, rebels against the harshness of a Breadwinner's life and the monotony of one woman.
S.C.U.M manifesto [EN] (1967)
The commune, therefore, is doomed to failure: each "hippie" will, in panic, grab the first simpleton who digs him and whisk her off to the suburbs as fast as he can.
S.C.U.M manifesto [EN] (1967)
*Conformity:* Although he wants to be an individual, the male is scared of anything in himself that is the slightest bit different from other men; it causes him to suspect that he's not really a "Man", that he's passive and totally sexual, a highly upsetting suspicion.
S.C.U.M manifesto [EN] (1967)
Differentness in other men, as well as in himself, threatens him; it means they're fags whom he must at all costs avoid, so he tries to make sure that all other men conform.
S.C.U.M manifesto [EN] (1967)
Wanting the female (Mama) to guide him, but unable to accept this fact (he is, after all, a *MAN*), wanting to play Woman, to usurp her function as Guider and Protector, he sees to it that all authorities are male.
S.C.U.M manifesto [EN] (1967)
Happiness being for him impossible on this earth, he invented Heaven.
S.C.U.M manifesto [EN] (1967)
*Competition, Prestige, Status, Formal Education, Ignorance and Social and Economic Classes:* Having an obsessive desire to be admired by women, but no intrinsic worth, the male constructs a highly artificial society enabling him to appropriate the appearance of worth through money, prestige, "high" social class, degrees, professional position and knowledge and, by pushing as many other men as possible down professionally, socially, economically, and educationally.
S.C.U.M manifesto [EN] (1967)
On the contrary, the male has a vested interest in ignorance; he knows that an enlightened, aware female population will mean the end of him.
S.C.U.M manifesto [EN] (1967)
The male "rebel" is a farce; this is the male's "society", made by *him* to satisfy *his* needs.
S.C.U.M manifesto [EN] (1967)
Daddy's Girl, passive, adaptable, respectful of and in awe of the male, allows him to impose his hideously dull chatter on her.
S.C.U.M manifesto [EN] (1967)
The male "artistic" aim being, not to communicate (having nothing inside him, he has nothing to say), but to disguise his animalism, he resorts to symbolism and obscurity ("deep" stuff).
S.C.U.M manifesto [EN] (1967)
The male, having a very limited range of feelings and, consequently, very limited perceptions, insights and judgments, needs the "artist" to guide him, to tell him, what life is all about.
S.C.U.M manifesto [EN] (1967)
On the other hand, those females least embedded in the male "Culture", the least nice, those crass and simple souls who reduce fucking to fucking, who are too childish for the grown-up world of suburbs, mortgages, mops and baby shit, too selfish to raise kids and husbands, too uncivilized to give a shit for anyone's opinion of them, too arrogant to respect Daddy, the "Greats" or the deep wisdom of the Ancients, who trust only their own animal, gutter instincts, who equate Culture with chicks, whose sole diversion is prowling for emotional thrills and excitement, who are given to disgusting, nasty, upsetting "scenes", hateful, violent bitches given to slamming those who unduly irritate them in the teeth, who'd sink a shiv into a man's chest or ram an icepick up his asshole as soon as look at him, if they knew they could get away with it, in short, those who, by the standards of our "culture" are SCUM...these females are cool and relatively cerebral and skirting asexuality.
S.C.U.M manifesto [EN] (1967)
Suppression of all ideas and knowledge that might expose him or threaten his dominant position in "society".
S.C.U.M manifesto [EN] (1967)
Exposing others as enemy agents (Communists and Socialists) is one of his favorite pastimes, as it removes the source of the threat to him not only from himself, but from the country and the Western world.
S.C.U.M manifesto [EN] (1967)
The bugs up his ass aren't in him; they're in Russia.
S.C.U.M manifesto [EN] (1967)
Violence serves as an outlet for his hate and, in addition--the male being capable only of sexual responses and needing very strong stimuli to stimulate his half-dead self--provides him with a little sexual thrill.
S.C.U.M manifesto [EN] (1967)
The male likes death--it excites him sexually and, already dead inside, he wants to die.
S.C.U.M manifesto [EN] (1967)
The fag, who accepts his maleness, that is, his passivity and total sexuality, his femininity, is also best served by women being truly female, as it would then be easier for him to be male, feminine.
S.C.U.M manifesto [EN] (1967)
The male is docile and easily led, easily subjected to the domination of any female who cares to dominate him.
S.C.U.M manifesto [EN] (1967)
In the case of a man whose behavior falls into both the good and bad categories, an overall subjective evaluation of him will be made to determine if his behavior is, in the balance, good or bad.
S.C.U.M manifesto [EN] (1967)
*It will be electronically possible for him to tune in to any specific female he wants to and follow in detail her every movement.
The Manifesto of Futurist Woman [EN] (1912)
Women are Furies, Amazons, Semiramis, Joans of Arc, Jeanne Hachettes, Judith and Charlotte Cordays, Cleopatras, and Messalinas: combative women who fight more ferociously than males, lovers who arouse, destroyers who break down the weakest and help select through pride or despair, “despair through which the heart yields its fullest return:’Let the next wars bring forth heroines like that magnificent Catherine Sforza, who, during the sack of her city, watching from the ramparts as her enemy threatened the life of her son to force her surrender, heroically pointing to her sexual organ, cried loudly: “Kill him, I still have the mold to make some more!” Yes, “the world is rotting with wisdom,” but by instinct, woman is not wise, is not a pacifist, is not good.