Cross-readings along the axes of momentum:
But once I named it, the momentum -the glitch- is no more...
But as the understanding of a glitch changes when it is being named, so does the equilibrium of the (former) glitch itself: the original experience of a rupture moved passed its momentum and vanished into a realm of new conditions.
Even so, glitch art is not always (or by everyone) experienced as an art of the momentum; many works have already passed their tipping point.
Therefore, the products of these new filters that come to existence after (or without) the momentum of a glitch cannot be excluded from the realm of glitch art.
If there is such a thing as technological freedom, this can only be found within the procedural momentum of glitch art; when a glitch is just about to relay a protocol.
Also specific to Glitch Manifesto [EN] (2009):
glitch art I artifacts IIIII o aesthetics procedural medium noise these videoscape conventions momentum the often flows media audience r f acousmatic within experience e works breaks normal a as form something or away break also glitches artist actors creation exists new genre Even search c filter historians protocol