Cross-readings along the axes of relate:

S.C.U.M manifesto [EN] (1967)
His responses are entirely visceral, not cerebral; his intelligence is a mere tool in the service of his drives and needs; he is incapable of mental passion, mental interaction; he can't relate to anything other than his own physical sensations.
S.C.U.M manifesto [EN] (1967)
Completely egocentric, unable to relate, empathize or identify, and filled with a vast, pervasive, diffuse sexuality, the male is psychically passive.
S.C.U.M manifesto [EN] (1967)
The male, because of his obsession to compensate for not being female combined with his inability to relate and to feel compassion, has made of the world a shitpile.
S.C.U.M manifesto [EN] (1967)
Unable to relate or to love, the male must work.
S.C.U.M manifesto [EN] (1967)
In actual fact, the female function is to relate, groove, love and be herself, irreplaceable by anyone else; the male function is to produce sperm.
S.C.U.M manifesto [EN] (1967)
Trapped inside himself, emotionally isolated, unable to relate, the male has a horror of civilization, people, cities, situations requiring an ability to understand and relate, to people.
S.C.U.M manifesto [EN] (1967)
*Philosophy, Religion and Morality Based on Sex:* The male's inability to relate to anybody or anything makes his life pointless and meaningless (the ultimate male insight is that life is absurd), so he invented philosophy and religion.
S.C.U.M manifesto [EN] (1967)
The male, totally physical, incapable of mental rapport, although able to understand and use knowledge and ideas, is unable to relate to them, to grasp them emotionally; he does not value knowledge and ideas for their own sake (they're just means to ends) and, consequently, feels no need for mental companions, no need to cultivate the intellectual potentialities of others.
S.C.U.M manifesto [EN] (1967)
*Prevention of Conversation:* Being completely self-centered and unable to relate to anything outside himself, the male's "conversation", when not about himself, is an impersonal droning on, removed from anything of human value.
S.C.U.M manifesto [EN] (1967)
Appreciating is the sole diversion of the "cultivated"; passive and incompetent, lacking imagination and wit, they must try to make do with that; unable to create their own diversions, to create a little world of their own, to affect in the smallest way their environments, they must accept what's given; unable to create or relate, they spectate.
S.C.U.M manifesto [EN] (1967)
But the male "artist", being totally sexual, unable to relate to anything beyond his own physical sensations, having nothing to express beyond the insight that for the male life is meaningless and absurd, cannot be an artist.
A Cyborg Manifesto [EN] (1984)
Within the framework of three major stages of capitalism (commercial/ early industrial, monopoly, multinational) --tied to nationalism, imperialism, and multinationalism, and related to Jameson's three dominant aesthetic periods of realism, modernism, and postmodernism --I would argue that specific forms of families dialectically relate to forms of capital and to its political and cultural concomitants.