Cross-readings along the axes of roles:
S.C.U.M manifesto [EN] (1967)
Having stripped the world of conversation, friendship and love, the male offers us these paltry substitutes: *"Great Art" and "Culture":* The male "artist" attempts to solve his dilemma of not being able to live, of not being female, by constructing a highly artificial world in which the male is heroized, that is, displays female traits, and the female is reduced to highly limited, insipid subordinate roles, that is, to being male.
A Cyborg Manifesto [EN] (1984)
The close ties of sexuality and instrumentality, of views of the body as a kind of private satisfaction- and utility-maximizing machine, are described nicely in sociobiological origin stories that stress a genetic calculus and explain the inevitable dialectic of domination of male and female gender roles.
Also specific to S.C.U.M manifesto [EN] (1967):
he SCUM male his men Daddy females him female women who her himself money the He they males society to themselves and their unable will being s animalism passivity Men only wants completely relate passive contempt Big insecure Art Mama would as few or respect conversation slightest mindless incapable