Cross-readings along the axes of turning:
The Manifesto of Futurist Woman [EN] (1912)
Those periods that had only wars, with few representative heroes because the epic breath flattened them out, were exclusively virile periods; those that denied the heroic instinct and, turning toward the past, annihilated themselves in dreams of peace, were periods in which femininity was dominant.
Glitch Feminism Manifesto [EN] (2012)
With this in mind, I propose the turning of a new radicality, coining the term “Glitch Feminism” to make use of here in these pages for the first time, by my hand, which on this journey has found its home both on the keys and between my legs, equally.
S.C.U.M manifesto [EN] (1967)
Even assuming mechanical proficiency, which few men have, he is, first of all, incapable of zestfully, lustfully, tearing off a piece, but is instead eaten up with guilt, shame, fear and insecurity, feelings rooted in male nature, which the most enlightened training can only minimize; second, the physical feeling he attains is next to nothing; and, third, he is not empathizing with his partner, but is obsessed with how he's doing, turning in an A performance, doing a good plumbing job.
Also specific to The Manifesto of Futurist Woman [EN] (1912):
her instinct heroes men femininity she who his women Woman periods humanity woman blood She strength brute period Enough geniuses man them your toward war the virile son masculinity virility terrain lovers lacking themselves only because soldiers sacrifice conquest genius carnal intuition inspirer 1912 pacifist lover vanquished epic mediocre