Cross-readings along the axes of woman:
The Manifesto of Futurist Woman - Response to F. T. Marinetti (1912).
--- “We will glorify war—the world’s only hygiene—militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman. ” Marinetti, “The Founding and Manifesto of Futurism” Humanity is mediocre.
Every woman ought to possess not only feminine virtues but virile ones, without which she is just a female.
Women are Furies, Amazons, Semiramis, Joans of Arc, Jeanne Hachettes, Judith and Charlotte Cordays, Cleopatras, and Messalinas: combative women who fight more ferociously than males, lovers who arouse, destroyers who break down the weakest and help select through pride or despair, “despair through which the heart yields its fullest return:’Let the next wars bring forth heroines like that magnificent Catherine Sforza, who, during the sack of her city, watching from the ramparts as her enemy threatened the life of her son to force her surrender, heroically pointing to her sexual organ, cried loudly: “Kill him, I still have the mold to make some more!” Yes, “the world is rotting with wisdom,” but by instinct, woman is not wise, is not a pacifist, is not good.
According to the apostle, the spiritual inspirer, woman, the carnal inspirer, immolates or takes care, causes blood to run or staunches it, is a warrior or a nurse.
It’s the same woman who, in the same period, according to the ambient ideas grouped around the day’s event, lies down on the tracks to keep the soldiers from leaving for the war or then rushes to embrace the victorious champion.
Feminism is a cerebral error of woman, an error that her instinct will recognize.
We must not give woman any of the rights claimed by feminists.
To give duties to woman is to have her lose all her fecundating power.
Let woman find once more her cruelty and her violence that make her attack the vanquished because they are vanquished, to the point of mutilating them.
Woman , become sublimely injust once more, like all the forces of nature!Delivered from all control, with your instinct retrieved, you will take your place among the Elements, opposite fatality to the conscious human will.
Woman is, for them, the most exalted trophy.
Woman should be mother or lover.
LET’S CONCLUDE: Woman who retains man through her tears and her sentimentality is inferior to the prostitute who incites her man, through braggery, to retain his domination over the lower depths of the cities with his revolver at the ready: at least she cultivates an energy that could serve better causes.
Woman , for too long diverted into morals and prejudices, go back to your sublime instinct, to violence, to cruelty.
Cyberfeminism is not [EN+DE+NL+FR] (1997)
68. cyberfeminism is not a single woman.
Cyberwitches Manifesto [EN] (2019)
Our sorority protects us from slipping from witch to woman of power.
He'll screw a woman he despises, any snaggle-toothed hag, and, furthermore, pay for the opportunity.
Screwing, then, is a desperate, compulsive attempt to prove he's not passive, not a woman; but he *is* passive and *does* want to be a woman;
When the male accepts his passivity, defines himself as a woman (males as well as females think men are women and women are men), and becomes a transvestite he loses his desire to screw (or to do anything else, for that matter; he fulfills himself as a drag queen) and gets his cock chopped off.
He then achieves a continuous diffuse sexual feeling from "being a woman" .
Being empty, not being a complete, separate being, having no self to groove on and needing to be constantly in female company, he sees nothing at all wrong in intruding himself on any woman' s thoughts, even a total stranger's, anywhere at any time, but rather feels indignant and insulted when put down for doing so, as well as confused--he can't, for the life of him, understand why anyone would prefer so much as one minute of solitude to the company of any creep around.
Wanting to become a woman, he strives to be constantly around females, which is the closest he can get to becoming one, so he created a "society" based on the family--a male-female couple and their kids (the excuse for the family's existence), who live virtually on top of one another, unscrupulously violating the females' rights, privacy and sanity.
Desperately insecure, fearing his woman will leave him if she is exposed to other men or to anything remotely resembling life, the male seeks to isolate her from other men and from what little civilization there is, so he moves her out to the suburbs, a collection of self-absorbed couples and their kids.
The "hippie", whose desire to be a "Man", a "rugged individualist", isn't quite as strong as the average man's, and who, in addition, is excited by the thought of having lots of women accessible to him, rebels against the harshness of a Breadwinner's life and the monotony of one woman.
Not completely convinced that he's a woman, highly insecure about being sufficiently female, he conforms compulsively to the man-made feminine stereotype, ending up as nothing but a bundle of stilted mannerisms.
To be sure he's a "Man", the male must see to it that the female be clearly a "Woman" , the opposite of a "Man", that is, the female must act like a faggot.
Wanting the female (Mama) to guide him, but unable to accept this fact (he is, after all, a *MAN*), wanting to play Woman, to usurp her function as Guider and Protector, he sees to it that all authorities are male.
For a woman (according to men), "wrong" is any behavior that would entice men into sexual "license"--that is, not placing male needs above her own and not being a faggot.
A woman not only takes her identity and individuality for granted, but knows instinctively that the only wrong is to hurt others, and that the meaning of life is love.
And the more mindless the woman, the more deeply embedded in the male "culture", in short, the nicer she is, the more sexual she is.
A few examples of the men in the Men's Auxiliary are: men who kill men; biological scientists who are working on constructive programs, as opposed to biological warfare; journalists, writers, editors, publishers and producers who disseminate and promote ideas that will lead to the achievement of SCUM's goals; faggots who, by their shimmering, flaming example, encourage other men to de-man themselves and thereby make themselves relatively inoffensive; men who consistently give things away--money, things, services; men who tell it like it is (so far not one ever has), who put women straight, who reveal the truth about themselves, who give the mindless male females correct sentences to parrot, who tell them a woman' s primary goal in life should be to squash the male sex (to aid men in this endeavor SCUM will conduct Turd Sessions, at which every male present will give a speech beginning with the sentence: "I am a turd, a lowly, abject turd," then proceed to list all the ways in which he is.
With complete automation it will be possible for every woman to vote directly on every issue by means of an electronic voting machine in her house.
Glitch Feminism Manifesto [EN] (2012)
What needs to be written about is what happens when a woman sits down and engages with sex—specifically, her own, as tied to an exploration of her individual sexuality and liberation therein—via the medium of a computer screen.
Hilary Klein has argued that both Marxism and psychoanalysis, in their concepts of labour and of individuation and gender formation, depend on the plot of original unity out of which difference must be produced and enlisted in a drama of escalating domination of woman/ nature.
Painful fragmentation among feminists (not to mention among women) along every possible fault line has made the concept of woman elusive, an excuse for the matrix of women's dominations of each other.
Sandoval emphasizes the lack of any essential criterion for identifying who is a woman of colour.
For example, a Chicana or US black woman has not been able to speak as a woman or as a black person or as a Chicano.
The category 'woman' negated all non-white women; 'black' negated all non-black people, as well as all black women.
Unlike the 'woman' of some streams of the white women's movement in the United States, there is no naturalization of the matrix, or at least this is what Sandoval argues is uniquely available through the power of oppositional consciousness.
Sandoval's argument has to be seen as one potent formulation for feminists out of the world-wide development of anti-colonialist discourse; that is to say, discourse dissolving the 'West' and its highest product - the one who is not animal, barbarian, or woman; man, that is, the author of a cosmos called history.
White women, including socialist feminists, discovered (that is, were forced kicking and screaming to notice) the non-innocence of the category 'woman' .
Both Marxist/socialist-feminisms and radical feminisms have simul-taneously naturalized and denatured the category 'woman' and conscious-ness of the social lives of 'women'.
Another's desire, not the self's labour, is the origin of 'woman' .
However, a woman is not simply alienated from her product, but in a deep sense does not exist as a subject, or even potential subject, since she owes her existence as a woman to sexual appropriation.
There was no structural room for race (or for much else) in theory claiming to reveal the construction of the category woman and social group women as a unified or totalizable whole.
It is no accident that the symbolic system of the family of man - and so the essence of woman - breaks up at the same moment that networks of connection among people on the planet are unprecedentedly multiple, pregnant, and complex.
It is no accident that woman disintegrates into women in our time.
In my political myth, Sister Outsider is the offshore woman, whom US workers, female and feminized, are supposed to regard as the enemy prevendug their solidarity, threatening their security.
For example, retellings of the stom~ of the indigenous woman Malinche, mother of the mesdzo 'bastard' race of the new world, master of languages, and mistress of Cortes, carry special meaning for Chicana constructions of identity.
Writing marks Moraga's body, affirms it as the body of a woman of colour, against the possibility of passing into the unmarked category of the Anglo father or into the orientalist myth of 'original illiteracy' of a mother that never was.
Writing affirms Sister Outsider, not the Woman- before-the-Fall-into-Writing needed by the phallogocentric Family of Man.
These are the couplings which make Man and Woman so problematic, subverting the structure of desire, the force imagined to generate language and gender, and so subverting the structure and modes of reproduction of 'Western' idendty, of nature and culture, of mirror and eye, slave and master, body and mind.
But there is another route to having less at stake in masculine autonomy, a route that does not pass through Woman, Primitive, Zero, the Mirror Stage and its imaginaw.
It passes through women and other present-tense, illegitimate cyborgs, not of Woman born, who refuse the ideological resources of victimization so as to have a real life.
We don't need organic holism to give impermeable whole-ness, the total woman and her feminist variants (mutants?).
The cyborgs populating feminist science fiction make very problematic the statuses of man or woman, human, artefact, member of a race, individual endty, or body.
John Varley constructs a supreme cyborg in his arch-feminist exploration of Gaea, a mad goddessplanet-trickster-old woman- technological device on whose surface an extraordinary array of post-cyborg symbioses are spawned.
Octavia Butler writes of an African sorceress pithug her powers of transformation against the genetic manipulations of her rival (Wild Seed), of dme warps that bring a modern US black woman into slavery where her actions in relation to her white master-ancestor determine the possibility of her own birth (Kindred), and of the illegidmate insights into idendty and community of an adopted cross-species child who came to know the enem' as self (Survivor).
A black woman and a mother whose child is dead, Lilith mediates the transformation of humanity through genetic exchange with extraterrestrial lovers/rescuers/destroyers/genetic engineers, who reform earth's habitats after the nuclear holocaust and coerce surviving humans into intimate fusion with them.
The Centaurs and Amazons of ancient Greece established the limits of the centred polls of the Greek male human by their disruption of marriage and boundary pollutions of the warrior with animality and woman.
Cyborg monsters in feminist science fiction define quite different political possibilities and limits from those proposed by the mundane fiction of Man and Woman.
Similar but not the same to woman:Woman
Also specific to The Manifesto of Futurist Woman [EN] (1912):
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